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迪文小说>我的名字叫红英语怎么说 > 第28部分(第2页)

第28部分(第2页)

the  interplay  of  cloud  and  horizon。  I  reminded  him  that  Death  was  unique;

just like the portraits of infidels I had seen hanging in Veian palazzos; all of

them  desperately  yearned  to  be  rendered  distinctly。  “They  want  to  be  so

distinct  and  different;  and  they  want  this  with  such  passion  that;”  I  said;

“look; look into the eyes of Death。 See how men do not fear Death; but rather

the violence implicit in the desire to be one…of…a…kind; unique and exceptional。

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Look at this illustration and write an account of it。 Give voice to Death。 Here’s

paper and pen。 I shall give what you write to the calligrapher straightaway。”

He stared at the picture in silence。 “Who painted this?” he asked later。

“Butterfly。  He’s  the  most  talented  of  the  lot。  Master  Osman  had  been  in

love with and awed by him for years。”

“I’ve  seen  rougher  versions  of  this  depiction  of  a  dog  at  the  coffeehouse

where the storyteller performs;” Black said。

“My  illustrators;  most  of  whom  are  spiritually  bound  to  Master  Osman

and  the  workshop;  take  a  dim  view  of  the  labors  performed  for  my  book。

When they leave here at night I imagine they have their vulgar fun over these

illustrations which they draw for money and ridicule me at the coffeehouse。

And  who  among  them  will  ever  forget  the  time  Our  Sultan  had  the  young

Veian artist; whom He’d invited from the embassy at my behest; paint His

portrait。 Thereafter; He had Master Osman make a copy of that oil painting。

Forced to imitate the Veian painter; Master Osman held me responsible for

this  unseemly  coercion  and  the  shameful  portrait  that  came  of  it。  He  was

justified。”

All day long; I showed him every picture—except the final illustration that I

cannot;  for  whatever  reason;  finish。  I  prodded  him  to  write。  I  discussed  the

temperaments  of  the  miniaturists;  and  I  enumerated  the  sums  of  money  I

meted out to them。 We discussed “perspective” and whether the diminutive

objects in the background of Veian pictures were sacrilegious; and equally;

we  talked  about  the  possibility  that  unfortunate  Elegant  Effendi  had  been

murdered for excessive ambition and out of jealousy over his wealth。

As  Black  returned  home  that  night;  I  was  confident  he’d  e  again  the

next morning as promised and that he’d once again listen to me recount the

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