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迪文小说>我的名字叫红怎么样 > 第7部分(第1页)

第7部分(第1页)

inscrutable  yet  distinguishable  things  that  were  probably  included  in  many

pictures;  shadows  of  jinns  and  the  Devil  and  also;  the  picture  of  the  man’s

stunningly beautiful daughter as she stood beside her father。

“What  was  the  narrative  that  this  representation  was  meant  to  embellish

and plete? As I regarded the work; I slowly sensed that the underlying tale

was the picture itself。 The painting wasn’t the extension of a story at all; it was

something in its own right。

“I  never  forgot  the  painting  that  bewildered  me  so。  I  left  the  palazzo;

returned to the house where I was staying as a guest and pondered the picture

the entire night。 I; too; wanted to be portrayed in this manner。 But; no; that

wasn’t appropriate; it was Our Sultan who ought to be thus portrayed! Our

Sultan ought to be rendered along with everything He owned; with the things

that  represented  and  constituted  His  realm。  I  settled  on  the  notion  that  a

manuscript could be illustrated according to this idea。

“The  Veian  virtuoso  had  made  the  nobleman’s  picture  in  such  a  way

that you would immediately know which particular nobleman it was。 If you’d

never seen that man; if they told you to pick him out of a crowd of a thousand

others; you’d be able to select the correct man with the help of that portrait。

The  Veian  masters  had  discovered  painting  techniques  with  which  they

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could distinguish any one man from another—without relying on his outfit or

medals;  just  by  the  distinctive  shape  of  his  face。  This  was  the  essence  of

”portraiture。“

“If your face were depicted in this fashion only once; no one would ever be

able to forget you; and if you were far away; someone who laid eyes on your

portrait  would  feel  your  presence  as  if  you  were  actually  nearby。  Those  who

had never seen you alive; even years after your death; could e face…to…face

with you as if you were standing before them。”

We remained silent for a long time。 A chilling light the color of the iciness

outside filtered through the upper part of the small hallway window facing the

street; this was the window whose lower shutters were never opened; which

I’d recently paned over with a piece of cloth dipped in beeswax。

“There was a miniaturist;” I said。 “He would e here just like the other

artists for the sake of Our Sultan’s secret book; and we would work together

till dawn。 He did the best of the gilding。 That unfortunate Elegant Effendi; he

left here one night never to arrive at home。 I’m afraid they might have done

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