inscrutable yet distinguishable things that were probably included in many
pictures; shadows of jinns and the Devil and also; the picture of the man’s
stunningly beautiful daughter as she stood beside her father。
“What was the narrative that this representation was meant to embellish
and plete? As I regarded the work; I slowly sensed that the underlying tale
was the picture itself。 The painting wasn’t the extension of a story at all; it was
something in its own right。
“I never forgot the painting that bewildered me so。 I left the palazzo;
returned to the house where I was staying as a guest and pondered the picture
the entire night。 I; too; wanted to be portrayed in this manner。 But; no; that
wasn’t appropriate; it was Our Sultan who ought to be thus portrayed! Our
Sultan ought to be rendered along with everything He owned; with the things
that represented and constituted His realm。 I settled on the notion that a
manuscript could be illustrated according to this idea。
“The Veian virtuoso had made the nobleman’s picture in such a way
that you would immediately know which particular nobleman it was。 If you’d
never seen that man; if they told you to pick him out of a crowd of a thousand
others; you’d be able to select the correct man with the help of that portrait。
The Veian masters had discovered painting techniques with which they
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could distinguish any one man from another—without relying on his outfit or
medals; just by the distinctive shape of his face。 This was the essence of
”portraiture。“
“If your face were depicted in this fashion only once; no one would ever be
able to forget you; and if you were far away; someone who laid eyes on your
portrait would feel your presence as if you were actually nearby。 Those who
had never seen you alive; even years after your death; could e face…to…face
with you as if you were standing before them。”
We remained silent for a long time。 A chilling light the color of the iciness
outside filtered through the upper part of the small hallway window facing the
street; this was the window whose lower shutters were never opened; which
I’d recently paned over with a piece of cloth dipped in beeswax。
“There was a miniaturist;” I said。 “He would e here just like the other
artists for the sake of Our Sultan’s secret book; and we would work together
till dawn。 He did the best of the gilding。 That unfortunate Elegant Effendi; he
left here one night never to arrive at home。 I’m afraid they might have done