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第75部分(第1页)

“—or the nostrils of a horse;” said a stone…faced Master Osman; “not the

way it’s been ingrained in the depths of his soul; but according to the custom

of  the  workshop  where  he  presently  finds  himself;  just  like  the  others  there。

Do you understand me?”

From a page in Nizami’s Hüsrev and Shirin; quite a few versions of which

we’d  thumbed  through  already;  in  a  picture  depicting  Shirin  seated  on  her

throne; Master Osman read aloud an inscription engraved on two stone plates

above  the  palace  walls:  EXALTED  ALLAH  PRESERVE  THE  POWER  OF  THE

VICTORIOUS  SON  OF  TAMERLANE  KHAN;  OUR  NOBLE  SULTAN;  OUR  JUST

KHAN; PROTECT HIS SOVEREIGNTY AND DOMAINS SO HE MAY FOREVER BE

CONTENTED  (the  leftmost  stone  read)  AND  WEALTHY  (the  rightmost  stone

read)。

Later; I asked; “Where might we find illustrations wherein the miniaturist

has  rendered  a  horse’s  nostrils  in  the  same  way  they  were  etched  upon  his

memory?”

“We  must  locate  the  legendary  Book  of  Kings  volume  that  Shah  Tahmasp

sent as a gift;” said Master Osman。 “We must revisit those glorious old days of

legend; when Allah had a hand in the painting of miniatures。 We have many

more books yet to examine。”

It crossed my mind that; just perhaps; Master Osman’s main goal was not

to  find  horses  with  peculiarly  drawn  noses;  but  to  scrutinize  as  much  as

possible  these  spectacular  pictures  that  had  slept  quietly  for  years  in  this

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Treasury  safe  from  prying  eyes。  I  grew  so  impatient  to  find  the  clues  that

would  unite  me  with  Shekure;  who  awaited  me  at  the  house;  that  I’d  been

loath to believe that the great master might want to stay in the icy Treasury as

long as possible。

Thus did we persist in opening other cabis; other chests shown us by the

aged dwarf; to examine the pictures therein。 Periodically; I’d get fed up with

the pictures; which all looked alike; and wish never again to watch Hüsrev visit

Shirin under the castle window; I’d  leave  the  master’s side—without  even  a

glance at the nostrils of the horse Hüsrev rode—and try to warm myself at the

brazier or I’d walk respectfully and awestruck among the heaps of cloth; gold;

weapons; armor and plunder in the adjacent rooms of the Treasury。 At times;

prompted by an abrupt cry and hand gesture by Master Osman; I’d imagine

that a new masterpiece had been found or; yes; at last a horse with a curious

nose; and running to his side; I’d look at the picture the master was holding

with his hand slightly atremble as he sat curled up on an Ushak carpet dating

from  the  time  of  Sultan  Mehmed  the  Conqueror;  only  to  encounter  an

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