were already familiar with them。”
In this manner; the conversation turned to the differences between the
deaths of Veians and Ottomans; to the Angel of Death and the other angels
of Allah; and how they could never be appropriated by the artistry of the
infidels。 The young master who is presently staring at me with his beautiful
eyes in our dear coffeehouse was disturbed by these weighty words; his hands
grew impatient; he longed to depict me; yet he had no idea what kind of entity
I was。
The sly and calculating old man who wanted to beguile the young master
caught the scent of the young man’s eagerness。 In the shadowy room; the old
man bore his eyes; which glowed in the light of the idly burning oil lamp; into
the miracle…handed young master。
140
“Death; whom the Veians depict in human form; is to us an angel like
Azrael;” he said。 “Yes; in the form of a man。 Just like Gabriel; who appeared as
a person when he delivered the Sacred Word to Our Prophet。 You do
understand; don’t you?”
I realized that the young master; whom Allah had endowed with
astonishing talent; was impatient and wanted to illustrate me; because the
devilish old man had succeeded in arousing him with this devilish idea: What
we essentially want is to draw something unknown to us in all its
shadowiness; not something we know in all its illumination。
“I am not; in the least; familiar with Death;” said the miniaturist。
“We all know Death;” said the old man。
“We fear it; but we don’t know it。”
“Then it falls to you to draw that fear;” said the old man。
He was about to create me just then。 The great master miniaturist’s nape
was tingling; his arm muscles were tensing up and his fingers yearned for a
reed pen。 Yet; because he was the most genuine of great masters; he restrained
himself; knowing that this tension would further deepen the love of painting
in his soul。
The wily old man understood what was happening; and aiming to inspire
the youth in his rendition of me; which he was certain would be pleted
before long; he began to read passages about me from the books before him:
El…Jevziyye’s Book of the Soul; Gazzali’s Book of the Apocalypse and Suyuti。
And so; as the master miniaturist with the miracle touch was making this
portrait; which you now so fearfully behold; he listened to how the Angel of
Death had thousands of wings which spanned Heaven and Earth; from the
farthest point in the East to the farthest point in the West。 He heard how
these wings would be a great fort to the truly faithful yet for sinners and