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I AM YOUR BELOVED UNCLE
And so it was on that Friday morning; I began to describe the book that would
contain Our Sultan’s portrait painted in the Veian style。 I broached the
topic to Black by recounting how I’d brought it up with Our Sultan and how
I’d persuaded him to fund the book。 My hidden purpose was to have Black
write the stories—which I hadn’t even begun—that were meant to
acpany the illustrations。
I told him I’d pleted most of the book’s illustrations and that the last
picture was nearly finished。 “There’s a depiction of Death;” I said; “and I had
the most clever of miniaturists; Stork; illustrate the tree representing the
peacefulness of Our Sultan’s worldly realm。 There’s a picture of Satan and a
horse meant to spirit us far far away。 There’s a dog; always cunning and wily;
and also a gold coin…I had the master miniaturists depict these things with
such beauty;” I told Black; “that if you saw them but once; you’d know
straightaway what the corresponding text ought to be。 Poetry and painting;
words and color; these things are brothers to each other; as you well know。”
For a while; I pondered whether I should tell him I might marry off my
daughter to him。 Would he live together with us in this house? I told myself
not to be taken in by his rapt attention and his childlike expression。 I knew he
was scheming to elope with my Shekure。 Still; I could rely on nobody else to
finish my book。
Returning together from the Friday prayers; we discussed “shadow;” the
greatest of innovations manifest in the paintings of the Veian masters。 “If;”
I said; “we intend to make our paintings from the perspective of pedestrians
exchanging pleasantries and regarding their world; that is; if we intend to
illustrate from the street; we ought to learn how to account for—as the Franks
do—what is; in fact; most prevalent there: shadows。”
“How does one depict shadow?” asked Black。
From time to time; as my nephew listened; I perceived impatience in him。
He’d begin to fiddle with the Mongol inkpot he’d given me as a present。 At
times; he’d take up the iron poker and stoke the fire in the stove。 Now and
then I imagined that he wanted to lower that poker onto my head and kill me
because I dared to move the art of illustrating away from Allah’s perspective;
because I would betray the dreams of the masters of Herat and their entire
tradition of painting; because I’d duped Our Sultan into already doing so。
Occasionally; Black would sit dead still for long stretches and fix his eyes deeply
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into mine。 I coul