petition was begun anew between the two remaining miniaturists。 This
time; both painted a picture lovely as a poem; depicting a beautiful maiden
mounted on her horse in a magnificent garden。 But one of the miniaturists—
whether by a slip of his brush or by intent; no one knew—had depicted
strangely the nostrils of the white horse belonging to the maiden with Chinese
eyes and high cheekbones; and this was straightaway perceived as a flaw by the
Shah and his daughter。 True; this miniaturist hadn’t signed his name; but in
his splendid painting; he’d apparently included a masterful variation in the
horse’s nostrils to distinguish the work。 The Shah; declaring that
“Imperfection is the mother of style;” exiled this illustrator to Byzantium。 Yet
there was one last significant event according to the weighty History by
Rashiduddin of Kazvin; which occurred when preparations were being made
for the wedding between the Shah’s daughter and the talented miniaturist;
who painted exactly like the old masters without any signature or variation:
For the entire day before the wedding; the Shah’s daughter gazed grief…stricken
at the painting made by the young and handsome great master who was to
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bee her husband on the morrow。 As darkness fell that evening; she
presented herself to her father: “It is true; yes; that the old masters; in their
exquisite paintings; would depict beautiful maidens as Chinese; and this is an
unalterable rule e to us from the East;” she said。 “But when they loved
someone; the painters would include an aspect of their beloved in the
rendering of the beautiful maiden’s brow; eye; lip; hair; smile; or even eyelash。
This secret variation in their illustrations would be a sign that could be read by
the lovers and the lovers alone。 I’ve stared at the beautiful maiden mounted
on her horse for the whole day; my dear father; and there’s no trace of me in
her! This miniaturist is perhaps a great master; he’s young and handsome; but
he does not love me。” Thereupon; the Shah canceled the wedding at once; and
father and daughter lived out the remainder of their lives together。
“Thus; according to this third parable; imperfection gives rise to what we
call ”style;“” said Black quite politely and respectfully。 “And does the fact that
the miniaturist is in love bee apparent from the hidden ”sign‘ in the
image of the beauty’s face; eye or smile?“
“Nay;” I said in a manner that bespoke my confidence and pride。 “What
passes from the maiden; the focus of the master miniaturist’s love; to his
picture is not ultimately imperfection or flaw but a new artistic rule。 Because;
after a time and through imitation; everyone will begin to depict the faces of