painted in various hues recalled something。 My heart beat quickly as I
recognized the execution of the magnificent hand in the piece。 My heart knew
before I did; only he could’ve drawn such a splendid hand: This was the work
of Bihzad。 It was as if light were gushing from the painting to my face。
I had seen pictures drawn by the Great Master Bihzad a few times before;
perhaps because I hadn’t looked at them alone; but in a group of former
masters years ago; perhaps because we couldn’t be certain whether it was
indeed the work of the great Bihzad; I hadn’t been as taken as I was now。
The heavy moldy darkness of the Treasury chamber seemed to brighten。
This beautifully drawn hand merged in my mind with that thin; magnificent
arm branded with signs of love; which I’d just now seen。 Again; I praised God
for showing me such spectacular beauty before I went blind。 How do I know
I’ll soon be blind? I don’t know! I sensed that I could share this intuition of
mine with Black; who’d sidled up to me holding a candle and was looking at
the page; but something else came out of my mouth。
“Behold the remarkable rendering of the hand;” I said。 “It’s Bihzad。”
My hand went of its own will to hold Black’s; as if it were holding the hand
of one of those soft; velvet…skinned; beautiful apprentice boys; each of whom
I’d loved in my youth。 His hand was smooth and firm; warmer than my own;
delicate and broad; and I was thrilled by the veined side of his wrist。 When I
was young; I would take an apprentice child’s hand into my palm and; before
telling him how to hold the brush; I’d gaze with affection into his sweet;
frightened eyes。 That’s how I looked at Black。 Reflected in his pupils; I saw the
flame of the candle he held aloft。 “We miniaturists are brethren;” I said; “but
now everything is ing to an end。”
“How do you mean?”
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I said; “Everything is ing to an end” like a great master who longs for
blindness; having devoted his years to a lord or a prince; having created
masterpieces in his workshop in the style of the ancients; having even ensured
that this workshop had its own style; a great master who knows; whenever his
patron lord loses his last battle; that new lords will e in the wake of the
plundering enemy; disband the workshop; tear apart bound volumes leaving
the pages in disarray and belittle and destroy what remains; including the fine
details that he long believed in; that were of his own discovery and that he
loved like his own children。 But I needed to explain this to Black differently。
“This illustration is of the great Poet Abdullah Hatifi;” I said。 “Hatifi was
such a great poet that he simply stayed home while everybody else rushed out