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迪文小说>我的名字叫张红英语 > 第23部分(第1页)

第23部分(第1页)

“You get back inside。 To the funeral。”

I passed through snow…covered streets; between poor rotting houses leaning

this  way  and  that  way;  barely  able  to  stand;  and  through  fire…ravaged

neighborhoods。 I walked for a long time; taking the cautious steps of an aging

man  trying  not  to  slip  and  fall  on  the  ice。  I  passed  through  out…of…the…way

neighborhoods  and  gardens  and  fields。  I  walked  by  shops  that  dealt  in

carriages  and  wheels  and  passed  iron  smiths;  saddlers;  harness  makers  and

farriers on my way toward the walls of the city。

I’m not sure why they decided to start the funeral procession all the way at

the Mihrimah Mosque near the city’s Edirne Gate。 At the mosque; I embraced

the  big…headed  and  bewildered  brothers  of  the  deceased;  who  looked  angry

and  obstinate。  We  miniaturists  and  calligraphers  embraced  each  other  and

wept。 As I was performing my prayers within a leaden fog that had suddenly

descended and swallowed everything; my gaze fell on the coffin resting atop

the mosque’s stone funeral block; and I felt such anger toward the miscreant

who’d  mitted  this  crime;  believe  me;  even  the  Allahümme  Barik  prayer

became muddled in my mind。

After the prayers; while the congregation shouldered the coffin; I was still

among all the miniaturists and calligraphers。 Stork and I had forgotten that on

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some nights; when we sat in the dim light of oil lamps working until morning

on my book; he’d tried to convince me of the inferiority of Elegant Effendi’s

gilding  work  and  of  the  lack  of  balance  in  his  use  of  colors—he  colored

everything  navy  blue  so  it  would  look  richer!  We’d  both  forgotten  that  I’d

actually  given  him  credence;  by  allowing  “But  no  one  else  is  qualified  to  do

this  work;”  and  we  embraced  each  other  anyway;  sobbing  once  more。  Later;

Olive gave me a friendly and respectful look before hugging me—a man who

knows how to embrace is a good man—and these gestures so pleased me that

I  was  reminded  how  of  all  the  workshop  artists;  he  was  the  one  who  most

believed in my book。

On the stairs of the courtyard gate I found myself beside Head Illuminator

Master  Osman。  We  were  both  at  a  loss  for  words;  a  strange  and  tense

moment。 One of the deceased’s brothers began to cry and sob; and someone

pompously shouted; “God is great。”

“To  which  cemetery?”  Master  Osman  asked  me  for  the  sake  of  asking

something。

To respond “I don’t know” seemed hostile for some reason。 Flustered; and

without thinking; I asked the same question of the man standing next to me

on the stairs; “To which cemetery? The one by the Edirne Gate?”

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