whether or not a humble bearing required one to do so; he’d just sign his
name with a smile and a victorious flourish。
He continued bravely down the path I’d set him on and mitted to
paper what none before him had been able to。 Like myself; he too would
watch master glassblowers turning their rods and blowing glass melted in
ovens to make blue pitchers and green bottles; he saw the leather; needles and
wooden molds of the shoemakers who bent with rapt attention over the shoes
and boots they made; a horse swing tracing a graceful arc during a holiday
festival; a press squeezing oil from seeds; the firing of our cannon at the
enemy; and the screws and the barrels of our guns。 He saw these things and
painted them without objecting that the old masters of Tamerlane’s time; or
the legendary illustrators of Tabriz and Kazvin; hadn’t lowered themselves to
do so。 He was the first Muslim miniaturist to go to war and return safe and
sound; in preparation for the Book of Victories that he would later illustrate。 He
was the first to eagerly study enemy fortresses; cannon; armies; horses with
bleeding wounds; injured soldiers struggling for their lives and corpses—all
with the intent to paint。
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I recognize his work from his subject matter more than his style and from
his attention to obscure details more than his subject matter。 I could entrust
him with plete peace of mind to execute all aspects of a painting; from the
arrangement of pages and their position to the coloring of the most trivial
details。 In this regard; he has the right to succeed me as Head Illuminator。 But
he’s so ambitious and conceited; and so condescending toward the other
illustrators that he could never manage so many men; and would end up
losing them all。 Actually; if it were left to him; with his incredible
industriousness; he’d simply make all the illustrations in the workshop
himself。 If he put his mind to such a task; he could in fact succeed。 He’s a great
master。 He knows his craft。 He admires himself。 How nice for him。
When I visited him unannounced once; I caught him at work。 Resting upon
folding worktables; desks and cushions were all the pages he was working on:
illustrations for Our Sultan’s books; for me; for miserable costume books that
he dashed off for foolish European travelers eager to belittle us; one page of a
triptych he was making for a pasha who thought highly of himself; images to
be pasted in albums; pages made for his own pleasure and even a vulgar
rendition of coitus。 Tall; thin Stork was flitting from one illustration to the
next like a bee among flowers; singing folk songs; tweaking the cheek of his
apprentice who was mixing paint and adding a ic twist to the painting he