of the wide hall which was also used as an anteroom。 As had bee my
custom whenever I visited; I searched for what I assumed to be Shekure’s
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elegant green pair among the others; but for naught; and the possibility that
no one was home crossed my mind。
I walked to the right into the room—there was one in each corner of the
second floor—where I imagined Shekure slept cuddled with her children。 I
groped for beds and mattresses; and opened a chest in the corner and a tall
armoire with a very light door。 While I thought the delicate almond scent in
the room must be the scent of Shekure’s skin; a pillow; which had been stuffed
into the cabi; fell onto my dim…witted head and then onto a copper pitcher
and cups。 You hear a noise and suddenly realize the room is dark; well; I
realized it was cold。
“Hayriye?” Enishte Effendi called from within another room; “Shekure?
Which of you is it?”
I swiftly exited the room; walking diagonally across the wide hall; and
entered the room with the blue door where I had labored with Enishte Effendi
on his book this past winter。
“It’s me; Enishte Effendi;” I said。 “Me。”
“Who might you be?”
At that instant; I understood that the workshop names Enishte Effendi had
selected had less to do with secrecy then with his subtle mockery of us。 As a
haughty scribe might write in the colophon on the last leaf of a magnificently
illustrated manuscript; I slowly pronounced the syllables of my full name;
which included my father’s name; my place of birth and the phrase “your
poor sinful servant。”
“Hah?” he said at first; then added; “Hah!”
Just like the old man who meets Death in the Assyrian fable I heard as a
child; Enishte Effendi sank into a very brief silence that lasted forever。 If there
are those among you who believe; since I’ve just now mentioned “Death;” that
I’ve e here to involve myself in such an affair; you’ve pletely
misunderstood the book you’re holding。 Would someone with such designs
knock on the gate? Take off his shoes? e without a knife?
“So; you’ve e;” he said; again like the old man in the fable。 But then he
assumed an entirely different tone: “Wele; my child。 Tell me then; what is
it that you want?”
It had grown quite dark by now。 Enough light entered through the narrow
beeswax…dipped cloth windowpane—which; when removed in springtime;
revealed a pomegranate and plane tree—to distinguish the outlines of objects