would perish to be reborn as the jinn of inspiration—only we could feel such
extreme joy by depicting bastinados and tortures; only we could color these
implements with the gaiety of coloring a child’s kite。
Hundreds of years hence; men looking at our world through the
illustrations we’ve made won’t understand anything。 Desiring to take a closer
look; yet lacking the patience; they might feel the embarrassment; the joy; the
deep pain and pleasure of observation I now feel as I examine pictures in this
freezing Treasury—but they’ll never truly know。 As I turned the pages with my
old fingers numbed from the cold; my trusty mother…of…pearl…handled
magnifying lens and my left eye passed over the pictures like an old stork
traversing the earth; little surprised by the view below; yet still astonished to
see new things。 From these pages withheld from us for years; some of them
legendary; I came to know which artist had learned what from whom; in
which workshop under which shah’s patronage the thing we now call “style”
first took shape; which fabled master had worked for whom; and how; for
example; the curling Chinese clouds I knew had spread throughout Persia from
Herat under Chinese influence were also used in Kazvin。 I would occasionally
allow myself an exhausted “Aha!”; but an agony lurked deeper within me; a
melancholy and regret I can scarcely share with you for the belittled;
tormented; pretty; moon…faced; gazelle…eyed; sapling…thin painters—battered
by masters—who suffered for their art; yet remained full of excitement and
hope; enjoying the affection that developed between them and their masters
341
and their shared love of painting; before succumbing to anonymity and
blindness after long years of toil。
It was with such melancholy and regret that I entered this world of fine and
delicate feelings; the possibility of whose depiction my soul had quietly
forgotten over years of rendering wars and celebrations for Our Sultan。 In an
album of collected pictures I saw a red…lipped; thin…waisted Persian boy
holding a book on his lap exactly as I was holding one at that moment; and it
reminded me of what shahs with a weakness for gold and power always forget:
The world’s beauty belongs to Allah。 On the page of another album drawn by
a young master from Isfahan; with tears in my eyes; I beheld two marvelous
youths in love with each other; and was reminded of the love my own
handsome apprentices nourished for painting。 A tiny…footed; transparent…
skinned;