pains in my joints。 When I said “the second floor;” I felt oddly embarrassed;
but let me tell you: Men with much less money than I; even simple spahi
cavalrymen with tiny military fiefs; will soon be able to build two…story
houses。
We were in the room with the blue door that I used as the painting
workshop in winter; and I sensed that Black was aware of Shekure’s presence
in the adjacent room。 I at once disclosed to him the matter that inspired the
letter I’d sent to Tabriz; inviting him to Istanbul。
“Just as you did in concert with the calligraphers and miniaturists of Tabriz;
I; too; have been preparing an illustrated manuscript;” I said。 “My client is; in
fact; His Excellency Our Sultan; the Foundation of the World。 Because this
book is a secret; Our Sultan has disbursed payment to me under cover of the
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Head Treasurer。 And I have e to an understanding with each of the most
talented and acplished artists of Our Sultan’s atelier。 I have been in the
process of missioning one of them to illustrate a dog; another a tree; a
third I’ve charged with making border designs and clouds on the horizon; and
yet another is responsible for the horses。 I wanted the things I depicted to
represent Our Sultan’s entire world; just as in the paintings of the Veian
masters。 But unlike the Veians; my work would not merely depict material
objects; but naturally the inner riches; the joys and fears of the realm over
which Our Sultan rules。 If I ended up including the picture of a gold coin; it
was to belittle money; I included Death and Satan because we fear them。 I
don’t know what the rumors are about。 I wanted the immortality of a tree;
the weariness of a horse and the vulgarity of a dog to represent His Excellency
Our Sultan and His worldly realm。 I also wanted my cadre of illustrators;
nicknamed ”Stork;“ ”Olive;“ ”Elegant‘ and “Butterfly;” to select subjects of
their own choosing。 On even the coldest; most forbidding winter evenings;
one of my Sultan’s illustrators would secretly visit to show me what he’d
prepared for the book。
“What kind of pictures were we making? Why were we illustrating them in
that way? I can’t really answer you at present。 Not because I’m withholding a
secret from you; and not because I won’t eventually tell you。 It’s as though I
myself don’t quite know what the pictures mean。 I do; however; know what
kind of paintings they ought to be。”
Four months after I sent my letter; I heard from the barber located on the
street where we used to live that Black had returned to Istanbul; and; in turn; I