“Not many。 Two。”
“With a sword?”
“With a sword。”
“Do their souls wander?”
“I don’t know。 According to what’s written in books; they must wander。”
“Uncle Hasan has a red sword。 It’s so sharp it’ll cut you if you just touch it。
And he has a dagger with a ruby…studded handle。 Are you the one who killed
my father?”
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I nodded indicating neither “yes” nor “no。” “How do you know that your
father is dead?”
“My mother said so yesterday。 He won’t be returning。 She saw him in her
dream。”
If presented with the opportunity; we would choose to do in the name of a
greater goal whatever awful thing we’ve already prepared to do for the sake of
our own miserable gains; for the lust that burns within us or for the love that
breaks our hearts; and so; I resolved once more to bee the father of these
forsaken children; and; when I returned to the house; I listened more intently
to Shevket’s grandfather as he described the book whose text and illustrations
I had to plete。
Let me begin with the illustrations that my Enishte had shown me; the
horse for example。 On this page there were no human figures and the area
around the horse was empty; even so; I couldn’t say it was simply and
exclusively the painting of a horse。 Yes; the horse was there; yet it was apparent
that the rider had stepped off to the side; or who knows; perhaps he was on
the verge of emerging from behind the bush drawn in the Kazvin style。 This
was immediately apparent from the saddle upon the horse; which bore the
marks and embellishments of nobility: Maybe; a man with his sword at the
ready was about to appear beside the steed。
It was obvious that Enishte missioned this horse from a master
illustrator whom he’d secretly summoned from the workshop。 Because the
illustrator; arriving at night; could draw a horse—ingrained in his mind like a
stencil—only if it were the extension of a story; that’s exactly how he’d begin: